Where it differs from the C500 Mark II is that DPAF is available in far more frame rates. The Newsshooter forums have just launched. It was a hugely popular camera for Canon, but just about everything else they have done since has been a little lacklustre, to say the least. Canon is expanding its powerful digital cinema line with today's release of the brand new EOS C300 Mark III and the CINE-SERVO 25-250 T2.95 lens. Included with the camera are 13 accessories, such as … The C300 Mark III is identical to the C500 Mark II and you would struggle to tell which camera is which when they are sitting side by side. The C300 Mark II has a user-changeable lockable Canon EF mount that can be changed over to PL or standard EF. If you want to see all the frame rates, data rates, etc. Canon goes on to say that this new sensor is capable of 16+ stops of dynamic range with reduced noise in the shadows and improved low light performance. Unlike Canon, ARRI is able to use Dual Gain Output on all frame rates. By adding a V-lock or AB battery on the back of the module, this will not only allow the EOS C300 mark III to have longer run times, but it should also help with better weight distribution if you want to shoulder mount the camera. Face detection AF is another autofocus mode that can track a person’s face in the frame and maintain focus on them. This manual comes under the category Camcorders and has been rated by 1 people with an average of a 5.7. The camera can shoot with Anamorphic lenses and will offer a monitored de-squeeze for 2x and 1.3x lenses. With lenses and cameras being similar weights, the balance point is where the lens meets the camera body. Super 35mm DGO Sensor with 16+ stops of Dynamic Range, 12G – SDI output, Dual Pixel Autofocus with Touchscreen Support. The sensor can operate in two different modes: Here are the various crop factors when shooting in different resolutions: What is very important in the EOS C300 Mark III is that the construction of the red, green, and blue components entails no algorithmic debayering processes. Diffraction correction is not a traditional video sharpening process, but rather it is a restoration based upon reported predictability. A lot of C300 Mark II users jumped to the C500 Mark III without knowing a C300 Mark III would follow soon after. The second path contains a signal with lower amplification to capture the information that is clipped in the first path. The Canon EOS C300 Mark III is a modular camera system, like the full-frame Canon EOS C500 Mark II that debuted last year. We have been told that the next cinema camera from Canon will be the Cinema EOS C300 Mark III. He is the Editor of Newsshooter.com and has been writing on the site since 2010. The Sony FX9 offers a full-frame sensor and Electronic Variable ND. User LUTs can also be created in software such as DaVinci Resolve, and then loaded via an SD card and separately stored. The Extension Unit 1 (EVU-1) $499 USD, offers multi-camera support with a Genlock interface, while Extension Unit 2 adds further interfaces, such as two more XLR inputs, ideal for broadcast applications and a V-Lock battery mount for extended recording times. Each pixel in the camera’s CMOS sensor is configured with two photodiodes. Canon now has a well-featured camera that sits at a price point that is still obtainable for a lot of owner/operators. What do you think about the C300 Mark III? A focus pre-set feature allows separate predetermined focus points to be selected, and when the SET button is pushed, the lens will move the focus from one mark to the other. The essence of the correction strategy is to move that frame under software control in a manner that counters the image shift created by the external vibrations and restores the image to its central position. This data is reported to the Digic DV7 processor that make high-speed calculations that in turn create the appropriate instruction to reposition the selected active image area. This flexible design can be configured according to the shooting and equipment requirements, right down to the lens mount – which can be changed between EF, PL or EF Cinema Lock without the need of converting by a service center. Canon’s Cinema EOS C300 Mark III is the next evolution of Canon’s professional cinema camera range. The Diffraction Correction system within the EOS C300 mark III camera processor implements real-time compensation for diffraction and for the optical pre-filtering. The EOS C300 Mark III camera is modular and customizable, just like the EOS C500 Mark II camera. The US price for Cinema EOS C300 Mark III body is $10,999, now available for pre-order at B&H Photo Video/Adorama.The US price for CINE-SERVO 25-250mm T2.95 Cinema Zoom Lens is $29,999, now available for pre-order at B&H Photo Video/Adorama. These images are then combined into a single high dynamic range image. From what I have seen, if you move off the cameras native ISO the DGO isn’t as effective when shooting at higher ISO levels. This is a strange one considering the camera was just announced. 12G SDI Support for 12G SDI allows for the EOS C300 Mark III to output 4K resolution up to 60p over a single BNC cable. In some ways, the C500 Mark II and the C300 Mark III are almost like Sony’s F55 and F5. That entailed an analysis of the behavior of the point spread function of light beams passing through that system which was converted into a mathematical function, termed the optical transfer functions (OTF). The Mark III, at least on paper, looks to be a massive improvement on the Mark II and it sends a clear signal that Canon is back in the game. As the 3rd generation camera in the C300 series, the EOS C300 Mark III further refines the functions which made the previous cameras highly popular in documentary films and broadcast. Like its big brother the Canon C500 Mark II, the Canon C300 Mark III camera is modular and customizable. The first path contains the regular, highly amplified signal. In 2016 he won the Award for Best Cinematography at the 21st Asian Television Awards. Documentary filmmaker Ben Sherlock explores what the full-frame EOS C500 Mark II and its Super 35mm Cinema EOS stablemate, the EOS C300 Mark III, can offer in the field. Yesterday, Canon unveiled another cinema camera that goes between its great C300 line and the latest C500 Mark II flagship. 2048 X 1080: 50.00P/60.00P, YCC 4:2:0 8-bit 35 Mbps/24.00P/25.00P,YCC 4:2:0 8-bit 24 Mbps Long GOP. Yes, it doesn’t have a full-frame sensor and it can’t record 5.7K RAW, but it does give you 4K at 120p in the exact same camera body with all of the same functionality. So does that price compare to other digital cinema cameras? The EU-V2 (Expansion Unit) costs $1,600 USD. Consider becoming a Patreon supporter and help us to continue being the best source of news and reviews for professional tools for the independent filmmaker. If you’re just using Canon still lenses then probably not. Documentary filmmaker Ben Sherlock explores what the full-frame EOS C500 Mark II and its Super 35mm Cinema EOS stablemate, the EOS C300 Mark III, can offer in the field. Documentary filmmaker Ben Sherlock explores what the full-frame EOS C500 Mark II and its Super 35mm Cinema EOS stablemate, the EOS C300 Mark III, can offer in the field. *Frame rates above 59.94 can only be recorded in Cinema RAW Light 10-bit. Yesterday, Canon unveiled another cinema camera that goes between its great C300 line and the latest C500 Mark II flagship. There are two inescapable optical limitations to the sharpness of the video image that are originated in any lens-camera system. 12G-SDI Support Support for 12G-SDI allows for the EOS C300 Mark III to output 4K resolution up to 60p over a single BNC cable. At 3.9 lb they are only marginally heavier than the EOS C200 (3.2 lb). From what I can gather, Canon’s DGO is very similar to what ARRI has been doing for years. The EF mount has been a staple of the Cinema EOS ecosystem, but you have to wonder why they didn’t decide to go with the newer RF mount. The Canon EOS C300 Mark III and the Canon EOS C500 Mark II are Cinema EOS stablemates offering the latest technology to give stunning visual results. Just like the C500 Mark II, the C300 Mark III can shoot in Canon Log 2, Canon Log 3, HDR-HLG, HDR-PQ, Normal 1, and Wide DR. LUTs Image copyright Dave May (@davetallstory) Preset Viewing LUTs can be assigned for each output. Essentially this is very similar to what ARRI does with the ALEXA. It isn’t that this camera can’t be used for higher-end productions, but they are trying to push the C500 Mark II as a camera that is more suitable for that. The optional EVF Unit is ideal for hand-held use but also answers user’s demands to make it easily removable for gimbal applications. Created with broadcast and film professionals in mind, the small and modular body houses the newly developed Dual Gain Output sensor that delivers outstanding image quality. As for this moment, the brand new C300 Mark III is not on the list. The sensor also uses the newer Digic DV 7 processor, the same one that can be found in the C500 Mark II. EF to PL mount (PM-V1) 3. The C300 Mark III features dual CFexpress card slots as well as an SD card slot which you can use to record low-resolution proxies. Now there is a reason why they have had to do this. How does DPAF work? Less heat being produced means less image noise, which should equate to better low light performance. This is a Next Generation Recoil rig designed for optimal balance and comfort when shoulder mounted or on a tripod. In other words, does the extra $5,000 for the C500 Mark II translate into real-world advantages for professionals? "It's the perfect companion for the EOS C500 Mark … In December 2019, the C500 Mark II was released and soon followed by the C300 Mark III earlier this year. Comment - Let us know what you think of the Canon C300 MK III below! Category. Conversely, if recording 2K onboard then only a 2K uncompressed version can be externally recorded. This low power draw is a big deal if you are shooting documentaries, events or news. The Canon EOS C500 Mark II 5.9K Full-Frame Camera Body is part of the Cinema EOS lineup of cameras, and it features a full-frame CMOS sensor with an effective 18.69MP resolution. The Canon EOS C300 Mark III is a modular camera system, like the full-frame Canon EOS C500 Mark II that debuted last year. In the case of external recording either the 12G-SD, I or the HDMI interface may be used. The C300 Mark II, in my opinion, has a very soft looking 4K image and that is probably due to the fact that it uses a 24.6 x 13.8 mm (Super35) sensor that has a sensor resolution of: This meant that the camera wasn’t able to do any sort of oversampling when recording in 4K. Last month, Canon has officially announced the new Cinema EOS C500 Mark II – the only Cinema EOS camera from Canon in 2019. On the C500 Mark II the DPAF stops working once you go into the S&F mode. The biggest advantage the Sony FX9 has is that it is already available. *180fps uses a cropped part of the sensor and it can only be done when in the Super 16mm mode. Découvrez le Canon EOS C300 Mark III, doté d'un capteur Canon DGO 4K Super 35 mm, d'un mode ralenti 4K 120P, d'une plage dynamique élevée et d'un autofocus CMOS Dual Pixel. For me, the most exciting aspect is not the 4K 120p, but the Dual Gain Output sensor. The C300 Mark III can record 4K at up to 120p in Canon RAW Lite or XAVC Intra. Like what we do and want to support Newsshooter? This innovative approach totally avoids any of the reconstruction errors inevitably associated with algorithmic debayering and this forms the basis for a clean artefact-free final recorded image. Below is a comparison between the two cameras: Canon is touting that the C300 Mark III can be used for a variety of applications including documentaries, TV programs, TV news, and corporate videos. The integrity of the RAW signal is protected by eliminating video processes like the Linear Matrix that selects the color gamut, and employing a special RAW OETF that optimizes the digital coding over the entire transfer curve for all ISO settings. Noise is also claimed to be greatly reduced because the Dual Gain Output signal is taken directly from the sensor and before any image processing takes place. Documentary filmmaker Ben Sherlock explores what the full-frame EOS C500 Mark II and its Super 35mm Cinema EOS stablemate, the EOS C300 Mark III, can offer in the field. This could be a potential usability problem if you are shoulder mounting the camera. Matthew Allard is a multi-award-winning, ACS accredited freelance Director of Photography with 30 years' experience working in more than 50 countries around the world. Users can also choose from a wide range of additional optional accessories that allow them to configure the EOS C300 Mark III camera to their preferences. The C300 Mark III has rapid one-touch AF (with a push-button) and continuous AF within approximately 80% of the overall image area. Additional customisable buttons and dedicated buttons for LUTs. Considering the RF lenses that are now available and the ability to adapt not only Canon EF, but a wide range of other mounts it is puzzling to say the least. Relevant outputs are MON., HDMI, SDI OUT, and VIDEO terminal/EVF-V50. By using the exact same body and same accessories as the C500 Mark II Canon would have significantly saved on development and manufacturing costs. Would you buy one? The next-generation Super 35mm workhorse features a new Dual Gain Output (DGO) sensor and, like the full-frame EOS C500Mark II digital cinema camera, employs a modular design and an interchangeable lens mount optional accessory that allows users to easily customize the camera according to the needs of each project. About the Canon EOS C500 Mark II View the manual for the Canon EOS C500 Mark II here, for free. Created with broadcast and film professionals in mind, the small and modular body houses the newly developed Dual Gain Output sensor that delivers outstanding image quality. While the Canon EOS C500 Mark II offers frame rates up to 60p in 4K and 120p in 1080 HD, the Canon EOS C300 Mark III is faster, with 4K at 120p and 180fps shooting in HD. Instead, the RAW information is compiled into a single Canon RAW Movie file (.CRM). Given this low power draw, there is probably little reason to run a larger V-lock battery on this camera. Canon has just officially announced the new Cinema EOS C300 Mark III camera and a new 25-250mm zoom lens today. This system should certainly benefit anyone shooting handheld, especially with longer focal length lenses. Canon EOS C300 Mark III To make the story short, the Canon EOS C300 Mark III Digital Cinema Camera features a Super 35mm Dual Gain Output sensor with up to 16 stops of high … You are probably not going to notice a massive increase in dynamic range if you are still finishing in SDR. Apart from the features that already made the C500 Mark II an interesting proposition – internal Cinema RAW Light recording, Dual Pixel Autofocus – in my opinion, there are two new features of the C300 Mark III which are most interesting about this camera: The newly introduced Dual Gain Output (DGO), which essentially combines two amplifications of a moving image into one, achieving a dynamic range (according to Canon) of 16… The EOS C300 Mark III uses the same exact Dual Pixel CMOS AF (DAF) Technology that is found in the C500 mark II. Well, let’s have a look: 12 BIT RAW – 23.98, 24, 25, 29.98p10 BIT Raw – all other frame rates, 4K (4096×2160) RAW @ 25fps = 1gbps67min 512GB card, 4K (4096×2160) RAW @ 50fps = 1gbps67min 512GB card, 4K (4096×2160) @ 120fps = 437Mbps152min 512GB card, 2K RAW (2048×1080) @ 180fps (super 16mm crop) = 250Mbps261min 512GB card, 4K (4096×2160) XFAVC @ 25fps = 410 Mbps Intra166min 512GB card, 4K (4096×2160) XFAVC @ 50fps = 810 Mbps Intra84min 512GB card, 4K (4096×2160) XFAVC @ 120fps = 410 Mbps Intra166min 512GB card, 2K (2048×1080) XFAC @ 180FPS (super 16mm crop) = 160mbps Intra425min 512GB card. The modular body is expandable to suit all of your filming and the accessories are the same as the C500 Mark II for greater flexibility and compatibility. It starts off looking like previous models, but then users have the ability to customize it to suit their needs, which has never before been available in a Canon camera. The Canon EOS C300 Mark III Cinema Camera is scheduled to be available sometime in June or July for an estimated retail price of $10,999 USD. B4 mou… Firmware Updates C300 Mark III. Provide your booking code and email address you used for the registration, we will re-send the confirmation email to you. C300 Mark III. Addressing the requirements of filmmakers, the EOS C300 Mark III features high frame rate shooting of up to 120fps in 4K and 180fps in 2K Super 16 mode. Related: canon c300 mark ii canon c200 canon c500 canon c700 canon c300 mk iii canon c500 mark ii canon c200 mark iii canon c500 mkii sony fs7. It will only work if you shoot in 23.98, 24, 25, 29.97, 50 or 60p. The design of that database is based upon an assessment of the textural image deterioration as the light passes through the lens aperture followed by the camera pre-filtering. Copyright © 2020 Canon India Pvt Ltd. All rights reserved. One is in the lens itself (the optical phenomenon of diffraction) that sees a progressive lowering of optical MTF as the lens aperture is stopped down. The C300 Mark III is a super 35 beast with a lot of new tech and capabilities. This method is said to enhance low light performance and prevent the highlights from being clipped, thereby significantly extending the dynamic range of the image. The Canon EOS C500 Mark II 5.9K Full-Frame Camera Body is part of the Cinema EOS lineup of cameras, and it features a full-frame CMOS sensor with an effective 18.69MP resolution. What ARRI and Canon are doing requires there to be a dual readout on every frame and then processing all of that on every frame. The C300 Mark III sits between the C200 and the C500 Mark II. If you want to, you can also attach Canon’s $3,999 USD EVF-V70 OLED Viewfinder. Therefore, it was of ultimate importance for the engineers to maintain that philosophy with this new product, while also considering feedback from Cinema EOS users. Because the media recording slots are on the side of the camera and not at the back there is no room to put them on the operator’s side of the camera. The C300 Mark III is priced to compete directly against Sony’s FX9. The Canon EOS C300 Mark III rules for speed and flexibility. Canon USA With image stabilization, unlike autofocus, certain generalities hold true (unless intentionally crippled). The Canon EOS C300 Mark III uses the exact same frame as the C500 Mark II, but packs inside Canon's new DIGIC DV7 processor and a new 4K Super 35mm Dual Gain Output (DGO) sensor. The C500 Mark II was the first of the new generation of Canon Cinema EOS cameras to use the modular body which it now shares with the newer EOS C300 Mark III. That means you can’t use it if for example if you were shooting a 23.98p base and wanted to shoot at 60fps. It also appears that the extra dynamic range you are getting on the camera is coming below middle grey. It manifests itself by restoring a good deal of the subtle image textural information that is lost by diffraction and pre-filtering, Diffraction correction does not operate on RAW video. The sensor has a physical size of 26.2 x 13.8 mm (29.6 mm on the diagonal. Only four M3 screws are required to implement the change out to the alternative mounts. EOS C500 Mark II è dotata di un nuovo processore d'immagine DIGIC DV 7 che permette di registrare internamente in formato Cinema RAW Light a 5.9K nonché in formato Canon XF-AVC 4K 4:2:2 a 10 bit. In post-production, Canon Log is designed to reproduce the entire tonal range that the CMOS image sensor is capable of. If you shoot in Canon Log 3 then the dynamic range drops to 14 stops. It has been more than 4 ½ years since Canon announced the C300 Mark II, and that’s a long long wait with how fast technology has been moving. Join us and others in the newly launched Newsshooter Forums. Canon Debuts New EOS C300 Mark III Customizable Cinema Camera, Plus CINE-SERVO 25-250 T2.95 Lens. The C500 Mark II is the latest Cinema EOS camera from Canon and looks to be positioning itself as a very versatile and capable camera! A site for working professionals in the TV & Film industry. The C500 Mark II utilizes the same 4″ LCD Monitor touchscreen (LM-V2) that is compatible with the Canon C500 Mark II. The camera can be customized to be quite small or quite large depending on what you are doing. Created with broadcast and film professionals in mind, the small and modular body houses the newly developed Dual Gain Output sensor that delivers outstanding image quality. The 5-axis stabilization also works in conjunction with Canon EF mount lenses that have stabilization. The only slight concern I have with the C300 Mark III is it is late to the party. As you can see from the above chart, DPAF support works with the C300 Mark III in most frame rates, but if you are shooting in S&F, some shooting frame rates are not supported. In December 2019, the C500 Mark II was released and soon followed by the C300 Mark III earlier this year. The Dual Pixel Focus Guide presents the user with a rectangle in the center of the EVF or monitor. you can download the file above. The FX9 is already available and it is attracting a lot of attention from FS7 owners and users. To further fine-tune AF performance, the camera has the ability to set the AF tracking speed and response. Canon EVF-V50 OLED Electronic Viewfinder 3938C001 for C300 Mark III & C500 Mark II Your Price: $699.00 Core SWX Nano-C98 14.8V Battery with D-Tap for Select Canon Camcorders NANO-C98 Canon has just announced the C300 Mark III, an S35 digital cinema camera that can record internally in 4K at up to 120p in either RAW or XF-AVC 4:2:2 10-Bit. The C300 was the first affordable digital cinema camera that could record in a broadcast quality codec. Yes, it isn’t full-frame like the FX9, but the pricing is similar and the C300’s direct competitor has always been the Sony FX series. If you want to download the full specifications of the camera you can do so above. The next generation EOS C300 Mark III incorporates Canon’s newly developed 4K Super 35mm DGO sensor, with 4K 120P Slow motion, High Dynamic Range and Dual Pixel CMOS AF into the same body as the EOS C500 Mark II. Even though the Sony FX9 has full-frame sensor, it can only record in resolutions up to 4K, and it is priced at a similar amount to the C300 Mark II. EF locking (CM-V1) 2. Canon has incorporated what they refer to as DGO (Dual gain Output) into the C300 Mark III. The DGO works across all ISO ranges on the camera. At first glance, you may just think that the EOS C300 Mark III is an S35 version of the C500 Mark II without the ability to record in resolutions above 4K, but there is a lot more to the camera than meets the eye. I personally think that the C500 Mark II, C300 Mark III, and the EOS R5 are Canon’s most significant announcements since the original C300. Below is what similar competing cameras retail for: As you can see it is at the upper end of the mid-tier digital cinema camera pricing spectrum, but it is still competitively priced against the Sony FX9 and Panasonic Varicam LT. Automatically obtains focal lengthWhen a lens that supports data transmission is attached, focal length data is automatically received through the digital contacts for shooting with optimized Electronic IS. Improved Auto Focus functions, extensive OSD customization and quicker start up times are some of the software improvements operators can look forward to. Coupled with Cinema Raw Light which offers extensive grading flexibility, this combination of high frame rates and high image quality expands the creative limits for content producers, allowing for greater room in creativity and visual expression. Just like with the C500 Mark II, Canon has put the audio controls for the C300 mark III on the right-hand side of the camera. Just to be clear, anytime you select the full-frame shooting mode on the EOS C500 Mark II and you are recording XF-AVC you are oversampling the 5.9K sensor. I was personally disappointed with the C300 Mark II and thought that the images when recording in 4K looked soft. This modelling incorporates the alterations to the point spread function as the lens aperture ranges from fully open to fully closed. The module also adds additional SDI ports and power outputs. Now, there is a catch with this Dual gain Output system. Powered by the newly developed Dual Gain Output sensor, the EOS C300 Mark III captures extremely high image quality in DGO mode. The good news is most NLE’s can read it with plugins. But if you do want to control the audio on the operator’s side you will need to have your audio plugged into input 3 or 4. If you’re using cine lenses or heavier zoom lenses then definitely yes. To me, the C300 Mark III represents a re-birth in some ways of the original C300. Above you can see the difference in the physical sizes of the C300 Mark III and C500 Mark II sensors. If you bought a C500 Mark II, you may well be looking at the C300 Mark III and questioning your decision. CANON EOS C300 Mark III ボディ全国各地のお店の価格情報がリアルタイムにわかるのは価格.comならでは。 製品レビューやクチコミもあります。 最安価格(税込)：1,320,000円 価格.com売れ筋ランキング：106位 満足度レビュー：0人 クチコミ：0件 （※11月30日時点） Given that both the C500 Mark II and C300 Mark III share the exact same body, it is no surprise that they both weight 1.77 kg (3.9 lb). If SDR is being recorded onboard only that same SDR can be externally recorded. When DGO mode is activated, every single pixel is simultaneously outputting dual gain levels. The Canon C500 Mark IIis definitely more expensive on paper. The camera can also shoot in 2K or HD at up to 180fps. You would have thought the C500 Mark II would have got it first. That makes it $5,000 USD cheaper than the C500 Mark II and $1 more than the Sony FX9. Both paths feed into the camera’s A/D converters. This enables you to record four separate audio tracks. When you are recording in RAW to the CFexpress cards you can also record proxy files to an SD card. The power draw of the C300 Mark III (31W) is less than half that of the C500 Mark II (63W). This makes it very similar in size to the sensor that is used in the C300 Mark II. You need to pay $2,199 extra for a locking EF mount (called EF-C) from Canon. The system provides five-axis correction when coupled to a lens that has no internal image stabilization When operating with a lens that does have internal IS, the lens manages the Yaw and Pitch compensation while the camera deals with the Roll and Horizontal/Vertical (X/Y) movements. Canon vante ainsi des capacités de HDR améliorées pour la C300 Mark III. New (12) Items (12) Used (3) Items (3) The C500 Mark II is the latest Cinema EOS camera from Canon and looks to be positioning itself as a very versatile and capable camera! Canon’s Cinema RAW Light isn’t uncompressed, but the files still contain more than enough information to give you very clean images, good color accuracy and a smaller chance of seeing any image artefacts. There doesn’t seem to be any dynamic range improvement in the highlights if you compare the camera to the C500 Mark II. Something the C300 Mark III can do that the C500 Mark II can’t is XF-AVC Long GOP 4:2:2 10-bit recording. That camera uses the smaller Super35mm size sensor, similar to APS-C. I wrote an article last year about the changing direction of the camera market, In that article, I wrote: As Steve Jobs famously once said, “If you don’t cannibalize yourself, someone else will.” With companies such as Blackmagic, Z CAM, and Kinefinity disrupting the market, the big manufacturers need to start cannibalizing themselves if they want to stay relevant. Users can change the lens mount themselves without assistance from a Canon service center. Read on. It is no real surprise that we are seeing a Canon C300 Mark III. Relevant outputs are MON., HDMI, SDI OUT, and VIDEO terminal/EVF-V50. Log workflows provide the user with higher dynamic range, more highlight and shadow retention, and more flexibility in … プロクリエイター向けの情報サイト。EOS、CINEMA EOSをはじめとする映像制作機器の活用事例をご紹 … Include description. DPAF also allows you to use the Dual Pixel Focus Guide. 12G SDI Support for 12G SDI allows for the EOS C300 Mark III to output 4K resolution up to 60p over a single BNC cable. The EF mount comes standard, the PL mount is $1,600 USD. While the file sizes and recording times may seem overwhelming to someone who isn’t used to shooting RAW, they are actually pretty small compared to most other digital cinema camera RAW formats. The EIS system only operates when recording in XF-AVC or XAVC Long GOP– it does not function when recording CinemaRAW Light. It is also compatible with anamorphic lenses. Selections from the included shim sets can be added for precision adjustment of the flange back. The modular body is expandable to suit all of your filming and the accessories are the same as the C500 Mark II for greater flexibility and compatibility. Canon DSLR, Mirrorless, Compact, Lenses, Flashes Rumors. You may be asking why doesn’t the C300 Mark III have an RF mount? Electronic IS with non-electrical contact lensesShooting with Electronic IS is possible even when a lens that does not support data transmission is attached by simply manually inputting the focal length. This is the only logical explanation. With a power draw of just 31W Canon probably had to make a trade-off with how the Dual Gain Output works in the camera. These extension units provide a plethora of important functions and additional input and output options, battery options and even a Viewfinder. This is what the C300 mark III comes with: You can, of course, use the same EU-V1 Expansion Unit 1 or EU-V2 Expansion Unit 2 that are available for the C500 Mark II. Central to the EIS system is the creation of an active image frame that is smaller than the sensor itself. The EOS C300 Mark III includes the same built-in five-axis electronic IS introduced with the EOS C500 Mark II that works with almost any lens, including anamorphic. Hypothetically speaking, if Canon had never released the C500 Mark II and instead just made a full-frame C300 Mark III with 4K 120p recording and a Dual Gain Output for under $12,000 USD they would have created a camera that everyone would have jumped on. (153 x 148 x 168mm). Both modules interface with the camera body via a three-pin Fisher connection point. Both cameras have their strengths and weaknesses. This balance shows itself in the all new modular design of this camera. When a Super 16mm lens, or a 2/3-inch broadcast lens (with the B4 mount adapters – MO-4E for EF-mount /MO-4P for PL-mount) are used on EOS C300 Mark III the camera is set to formulate a choice between 2K or HD video formats. EIS should not be confused with IBIS, they are not the same. How long can you record for in the various resolution, frame rates, and codecs? According to Canon, the DGO sensor produces images optimized for HDR by creating two images. hands-on look and footage from filmmaker Dave May, Tentacle Sync Track E Pocket 32-bit float Audio Recorder– Recording & Transmitting Audio, Sigma “I” Series full-frame mirrorless lenses, Super 35mm 4K Dual Gain Output CMOS sensor (9.6 MP) 4206 x 2280, Full Frame 6062 x 3432 (20.8 MP) CMOS sensor, Electronically-controlled ND filter system, which supports 2/4/6 and an extended 8/10 stops, S35 Dual Gain Output CMOS sensor Super 35mm 4K Dual Gain Output CMOS sensor (9.6 MP) 4206 x 2280, External 16-bit raw 4K/2K up to 120 fps to a compatible device*, Newly developed S35 4K CMOS Dual Gain Output sensor, User-changeable Lens Mounts (EF, Locking EF, PL), EF, PL, anamorphic and Spherical Lens Support, Dual Pixel CMOS AF with Touch AF and Face Detection AF, Internal ND filters (clear, 2, 4, 6, 8, 10 stop – 8 & 10 with extension), 4K Cinema RAW Light, and 2K Cinema RAW Light, 4K DCI or 4K UHD digital production formats with XF-AVC Intra codec, 2K DCI or 1080-line HD digital production formats with XF-AVC Intra, 4K/UHD/2K/HD Long GOP 4:2:2 10-bit recording, Proxy video recording using XF-AVC LongGOP, 1 x 1/8″ / 3.5 mm Stereo Headphone Output. The EOS C500 Mark II is an advanced and compact digital cinema camera with a 5.9K full-frame sensor and a brand new image processing platform. Of course, what is more important is where that dynamic range is being allocated. Camera, Drone & Photo Accessories; Tripods & Supports; Film Photography; Condition. The C300 Mark III will be $10,999 USD and the FX9 retails for $1 cheaper ($10,9998 USD). Less power consumption means less heat is being produced. 12G SDI Support for 12G SDI allows the EOS C300 Mark III to output 4K resolution up to 60p over a single BNC cable. If they tried to push the frame rates on a larger sensor camera like the Mini LF it would presumably mean that the Dual Gain Output wouldn’t have been able to work. By implementing phase-difference AF, smooth focusing is accomplished using Canon EF lenses with much higher speed and accuracy than was possible with previous technologies. EOS C300 Mark IIIの活用事例をまとめました。 ... CANON LOG TECHNICAL SITE. In the end, we are confident the design of the C300 Mark III will please both seasoned Cinema EOS users and newcomers alike.”. Canon’s Cinema EOS C300 Mark III is the next evolution of Canon’s professional cinema camera range. As they work together you don’t have to choose one or the other. This is exactly what Sony did with the F5 and F55. Sharing the same core design as its full frame sibling the EOS C500 Mark II, The EOS C300 Mark III likewise benefits from impressive modularity, allowing the camera to adapt to any shooting scenario and camera support requirements. Here are some info about upcoming Cinmera EOS … Documentary filmmaker Ben Sherlock explores what the full-frame EOS C500 Mark II and its Super 35mm Cinema EOS stablemate, the EOS C300 Mark III, can offer in the field. A gyroscopic sensor mounted within the body of the camera reports on angular rates along reference axes. If the subject is out of focus the box will turn grey and the arrows will indicate which way to adjust the lens to regain focus. I asked a Canon spokesperson whether there was a technical limitation with trying to use DGO on a full-frame sensor and they told me that because of the processing requirements when using DGO it is a lot harder to do on a larger sensor. First introduced in the EOS C200 and then implemented into the C500 mark II, Cinema RAW Lite is a proprietary Canon RAW format. In my opinion, the C300 Mark III is more in direct competition with the Sony FX9 than the C500 Mark II. It was also overpriced at launch and cost almost twice that of a Sony FS7. The company announced both new additions, growing its offerings in the cinema and broadcasting space. The standard EF mount is non-locking. The C300 Mark III is physically identical to the C500 Mark II except that it is based around a Super35 sensor. The benefit of having these smaller RAW files is that they can be recorded internally to the CFexpress cards. The new sensor uses a Dual Gain Output (DGO) which I will talk about in-depth in the next section. Just like the C500 Mark II, the C300 Mark III can shoot in Canon Log 2, Canon Log 3, HDR-HLG, HDR-PQ, Normal 1, and Wide DR. Preset Viewing LUTs can be assigned for each output. Canon has just officially announced the new Cinema EOS C300 Mark III camera and a new 25-250mm zoom lens today. With the modules attached you do have to remove the rear viewfinder, so that will force you to use the LCD touchscreen, or an external EVF or monitor. We posted some Canon Cinema EOS C500 Mark II specifications a couple of weeks ago, and we continue to receive trickles of new information about the soon-to-be-announced camera.. We have received some confirmation that the Cinema EOS C500 Mark II will have the same full-frame sensor as the Cinema EOS C700FF, and will be capable of recording in 5.9K internally to the CFexpress. If you have just bought a C500 Mark II you may well be feeling a little jealous of the C300 Mark III. With the C500 Mark II, the camera uses an oversampling process from the 5.9K image capture to produce 4K (DCI or UHD). The EOS C300 Mark III includes the same built-in five-axis electronic IS introduced with the EOS C500 Mark II that works with almost any lens, including anamorphic. Kastar Fully Decoded Battery Replacment for Canon BP-A30 BP-A60 BP-A90 Battery, CG-A10 A20 Charger, Canon EOS C200, C200B, C220B, EOS C300 Mark II, C300 Mark III, EOS C500 Mark II, Canon XF705 4K UHD 4.4 out of 5 stars 11 The second is the roll-off in the optical-filtering that must be deployed to counter the aliasing associated with the image sensor sampling. 2019 has been a quiet year for Canon’s Cinema EOS lineup, with only the announcement of the long-awaited Cinema EOS C500 Mark II. The C500 Mark II can only record XF-AVC Long GOP proxies. Buy Canon EOS C300 Mark III Digital Cinema Camera Body (EF Lens Mount) featuring Super 35mm Dual Gain Output (DGO) Sensor, 4K 120p, 2K Crop 180p HDR, Cinema RAW Light and XF-AVC H.264 Codec, EF Lens Mount, DIG!C DV7 Image Processor, Dual Pixel CMOS AF and Face Detection, LM-V2 4.3" LCD Touchscreen Monitor, 12G-SDI and 4-Channel Audio Recording, 2 x CFexpress Slots, Canon Log2 and … Again, just like the C500 Mark II, the C300 Mark III has a built-in Diffraction Correction System. Relevant outputs are MON., HDMI, SDI OUT, and VIDEO terminal/EVF-V50. The EOS C300 Mark III camera offers a variety of options in terms of onboard recording while simultaneously supporting external uncompressed recording. This sensor, however, is completely new and features what Canon calls DGO (Dual Gain Output) - dual photo diodes on each photosite. The EOS C300 Mark III includes the same built-in five-axis electronic IS introduced with the EOS C500 Mark II that works with almost any lens, including anamorphic. If you want to know why cameras such as the new ALEXA Mini LF don’t have high frame rates I would imagine that it is because they want the Dual Gain Output to work in every mode on their cameras. By combining and processing the information generated, high dynamic range images are created with low noise, pushing the boundaries in image quality. The days of Canon releasing cameras with underwhelming specifications and features seems to be a thing of the past. The firmware updates for the EOS C300 Mark III, EOS C500 Mark II, EOS C700, EOS C700 FF, EOS C700 GS, EOS C200, and EOS C200B Cinema Cameras will also add support for the new CINE-SERVO 25-250mm T2.95-3.95 (CN10x25 IAS S) Cinema Lens. Dual Gain sensor architecture has been used by ARRI in their Alev III sensors for more than 10 years. Two cameras that share the same exact body, with a lot of the same functionality and feature set, separated by only a few key items. We made sure to keep certain measurements the same, in order for users to be able to continue to use certain Cinema EOS and third party accessories that they’ve grown to rely on. Canon EOS C300 Mark III. Now, one thing to note though, on the C300 Mark III Face detection only works up to 60p. But let’s get back to the C300 Mark III, fast forward 9 years to the presence – first off, the Canon C300 Mark III feels very much alike the full-frame C500 Mark II (watch our first hands-on here and read our lab test looking at the dynamic range and rolling shutter of that camera here). The EOS C300 Mark III is flexible and lightweight. The US price for Cinema EOS C300 Mark III body is $10,999, now available for pre-order at B&H Photo Video/Adorama.The US price for CINE-SERVO 25-250mm T2.95 Cinema Zoom Lens is $29,999, now available for pre-order at B&H Photo Video/Adorama. 16+ stops of dynamic range is a very bold claim. If in fact, the camera does have 16+ stops of actual dynamic range that would give it the most dynamic range of any camera on the market. One prioritizes highlights and the other prioritizes shadows and dark areas. It features a V-lock or AB battery plate and gives you two additional audio inputs (more on the audio later). Canon’s Cinema EOS C300 Mark III is the next evolution of Canon’s professional cinema camera range. The EOS C500 Mark II supports Canon Log 2 and Canon Log 3 Gamma. DoP Patrick Smith on why the Netflix-approved Canon EOS C500 Mark II was his go-to camera for filming a Netflix Originals production. We posted some Canon Cinema EOS C500 Mark II specifications a couple of weeks ago, and we continue to receive trickles of new information about the soon-to-be-announced camera.. We have received some confirmation that the Cinema EOS C500 Mark II will have the same full-frame sensor as the Cinema EOS C700FF, and will be capable of recording in 5.9K internally to the CFexpress. キヤノンのデジタルシネマカメラ「EOS C500 Mark II／EOS C300 Mark III」が、公益財団法人日本デザイン振興会が主催する2020年度グッドデザイン賞において「グッドデザイン金賞（経済産業大臣賞）」を受賞しました。 However, the information we’ve received about this camera contradicts what we were told previously. There is a reason ARRI cameras have a high power consumption! The EOS C500, EOS C300 Mark II, EOS C700 & EOS C700 FF were all met with mixed reactions, and all those models failed to gain any real traction in the market. "I will soon be moving to the Canon EOS C300 Mark III," he says. You shouldn’t confuse Dual Gain Output with Dual Base ISO. Sharing the same core design as its full frame sibling the EOS C500 Mark II, The EOS C300 Mark III likewise benefits from impressive modularity, allowing the camera to adapt to any shooting scenario and camera support requirements. The EOS C300 Mark III includes the same built-in five-axis electronic IS introduced with the EOS C500 Mark II that works with almost any lens, including anamorphic. It does this without any cropping of the sensor. Canon Z-Finder with Rosette Mount - The Canon C500 Mark II & C300 Mark III Z-Finder is an optical viewfinder, specifically designed to attach to the Canon LM-V2 4.3" LCD Monitor compatible with the Canon C500 Mark II and Canon C300 Mark III.This Z-Finder will magnify the LCD screen by 1.8x and has a diopter wheel for specific focus tuning. There is also an optional removable rear camcorder style viewfinder that costs $699 USD. The bitrate figure in brackets indicates the maximum bit rate at the highest resolution and frame rate. Even though it shares the exact same body and accessories as the C500 Mark II, there are significant differences under the hood. The EOS C300 Mark III is flexible and lightweight. Operation device and software of IP streaming (EOS C500 Mark II, EOS C300 Mark III) 17th June 2020 With some EF lenses, the camcorder may take longer to … Matthew has won 41 ACS Awards, including four prestigious Golden Tripods. Although it’s the same basic idea of having different readout calibrations, Dual Gain Output is much harder to do than Dual Gain ISO because that switches between the two. Well, why not put them on the back of the camera? The EOS C300 Mark III includes the same built-in five-axis electronic IS introduced with the EOS C500 Mark II that works with almost any lens, including anamorphic. When recording HDR onboard either that same HDR or the derived SDR may be externally recorded. The rectangle turns green when the subject is in focus. Focal Length can be saved You can select the focal length during shooting to optimize the electronic IS effect. Just like the C500 Mark II, the C300 Mark III features Electronic Image Stabilization (EIS). The C300 Mark III uses a brand new S35 sensor that has not been seen in any previous Cinema EOS camera. Just like the C500 Mark II, the C300 Mark III can shoot in Canon Log 2, Canon Log 3, HDR-HLG, HDR-PQ, Normal 1, and Wide DR. LUTs Image copyright Dave May (@davetallstory) Preset Viewing LUTs can be assigned for each output. It is with HDR that DGO will be noticeable. We also have another article with a hands-on look and footage from filmmaker Dave May, so please make sure you check that out too. It is important to note that the DGO can’t be turned on or off. Both cameras have physical dimensions of (W x H x D) 6.0 x 5.8 x 6.6″. Canon sells the following two adapters, both with shim kits: 1. Canon LOG. Last month, Canon has officially announced the new Cinema EOS C500 Mark II – the only Cinema EOS camera from Canon in 2019. This is exactly the same as the C300 Mark III. It doesn’t work when you are shooting in frame rates above 60p in S35 4K. Canon states the image will be sharper with better detail and will resolve color better when shooting in 2K, and HD. According to Canon, it is similar to the system used on the EOS R but more advanced. Canon claims that this enhances image sharpness, curtailed moire, and produces a lowered visibility of noise at the higher ISO settings. On paper, the C300 Mark III looks like a great camera and there is certainly a lot to like. Like the C500 Mark II, the image is still recorded squeezed and the final de-squeeze happens in post. The C300 Mark III has better internal recording options and higher frame rates, as well as the ability to internally record RAW. The reason is … On the hardware side, 12G-SDI allows for 4K 50/60P recordings to compatible external recorders, additional backlit custom functions buttons, a larger touchscreen LCD monitor and an overall smaller footprint allows for ease of operation. Created with broadcast and film professionals in mind, the small and modular body houses the newly developed Dual Gain Output sensor that delivers outstanding image quality. This is how ARRI describes how Dual Gain Output works: The Dual Gain Output simultaneously provides two separate read-out paths from each pixel with different amplification. Canon LOG. キヤノンのデジタルシネマカメラ「EOS C500 Mark II／EOS C300 Mark III」が、公益財団法人日本デザイン振興会が主催する2020年度グッドデザイン賞において「グッドデザイン金賞（経済産業大臣賞）」を受賞しました。 Canon says that the most dynamic range (16+ stops) can be achieved when shooting at 800 ISO in Canon Log 2. That is a good question. However, it does work when you are shooting in 2K Super 16mm Crop mode up to 112fps. This allows it to feature a 5.9K output in full frame, and crop (window) the sensor for Super 35 and Super 16 frame sizes while maintaining a high resolution. Facebook Twitter YouTube Instagram Sign up for our weekly newsletter! Die EOS C300 Mark III der nächsten Generation verfügt über den neu entwickelten Canon 4K Super 35mm DGO-Sensor mit 4K 120p Zeitlupe, hohem Dynamikumfang und Dual Pixel CMOS AF – und das alles im gleichen Gehäuse wie die EOS C500 Mark II. It is interesting to see that the C300 Mark III is the first Canon camera to use a Dual Gain Output sensor. Both the Canon C300 Mark III and Canon C500 Mark II were launched relatively close to each other. it does not work in any S&F setting. The Cinema RAW Light files are about a 1/3 to 1/5 the size of Canon’s Cinema RAW format that had to be recorded externally from the EOS C300 Mark II and EOS C700. Selected category All. The Canon Recoil Pro is a shoulder rig designed specifically for the Canon C500 Mark II and the Canon C300 Mark III. This is not surprising because the amount of processing power to deal with two readouts at high resolutions and high frame rates would put a proportionally bigger load on the system. It’s almost as if Canon is forcing you to go with the optional module so that you can control audio from the operator’s side. Should you opt for a locking mount? Well, that isn’t possible, because that is where the optional module has to go. A correction circuit under control of a recovery filter database within the DIGIC DV7 implements this compensation. If you own a C500 Mark II you could swap over mounts between that camera and the C300 mark III. Before Canon announces their latest cinema camera tomorrow, here’s … Canon DSLR, Mirrorless, Compact, Lenses, Flashes Rumors. The addition of Canon’s Cinema RAW Lite to the EOS C300 Mark II is no real surprise. Many shooters will be confused as to which offers the better value proposition. The newly developed 4K Super 35mm DGO imaging system captures high dynamic range content by reading out … XF-AVC Long GOP 4:2:2 10-bit recording is useful for TV news and applications where you don’t require large file sizes. Canon EVF-V50 OLED Electronic Viewfinder 3938C001 for C300 Mark III & C500 Mark II Your Price: $699.00 Core SWX Nano-C98 14.8V Battery with D-Tap for Select Canon Camcorders NANO-C98 Included with the camera are 13 accessories, such as a 4.3-inch LCD monitor and the GR-V1 grip. At frame rates above 120, it will do a crop on the sensor and you need to be in the Super 16mm mode. An inverse function was then created and this forms the basis of the recovery filter database that would control the correction circuit (in realtime as the lens aperture is operated) to return the video image quality to close to the state associated with the wide-open aperture setting. As another comparison, the Sony FX9 draws 35.2W. The C300 Mark III offers high frame rates and internal RAW recording. The C300 Mark III draws just 31W and this is primarily because of the Dual Gain Output sensor. A unique parallel readout process within the image sensor separately extracts the four individual components, including the two spatially offset green components (green has twice as many spatial samples as the red and blue components). In February this year, the Canon C500 Mark II entered this prestigious list with the new codec Cinema RAW Light. Cameras & Photo. Small changes such as 4-pin XLR power and tool less screws also simplify life on set, streamlining the production process. Here are some info about upcoming Cinmera EOS cameras that are expected to be released in 2020. It makes a lot of sense going with the same exact body for both cameras, as you can share accessories between the two models. When recording 4K onboard using the XF-AVC Intra codec an uncompressed 4K or 2K version can be externally recorded. Matthew is available to hire as a DP in Japan or for work anywhere else in the world. According to Canon, you can continuously record 130 minutes of Cinema RAW Light (1Gbps) when using a single BP-A60 battery. Unlike traditional RAW recording, Cinema RAW Light does not record in a frame-by-frame file structure. Before Canon announces their latest cinema camera tomorrow, here’s … Видеограф-документалист Бен Шерлок проверил в деле возможности EOS C500 Mark II с полнокадровым датчиком изображения и другой модели из линейки Cinema EOS — камеры EOS C300 Mark III с датчиком Super-35. Its modular design allows users to freely and easily customise the camera to meet their shooting needs. Canon Creator Society. Let’s face it, although not a bad camera, the C300 Mark II was underwhelming in a lot of ways. Just like the C500 Mark II cannibalized the C700 FF, the C300 Mark II cannibalizes the C500 Mark II. If I was to guess as to why it doesn’t have an RF mount it would be that Canon engineers may be having issues trying to fit an internal ND system with the RF mount. What you also have to take into account is that if you use the XLR inputs on the module, whatever you plug in is going to be sticking straight out (unless you have angled connectors). The successor to the Canon EOS C300 Mark II that Patrick uses as his B-cam is a versatile 4K Super 35mm Cinema EOS System camera. DGO is probably something we are going to see being used in future Canon sensors. Two independent image signals can then be detected at each photosite. Canon’s Cinema EOS C300 Mark III is the next evolution of Canon’s professional cinema camera range. It depends on the lenses you are going to use it with. “Form factor has been key to the success of the Cinema EOS line since the original C300. It could be quite a while before the C300 Mark II starts shipping. Canon probably should have released this camera at the same time as the C500 Mark II. The C300 Mark III is a super 35 beast … Both cameras are priced similarly. Working in tandem with the modular design of the EOS C300 Mark III are the extension units. It was still reasonably popular, but nowhere near as popular as the competing Sony FS7 and FS7 Mark II. This allows it to feature a 5.9K output in full frame, and crop (window) the sensor for Super 35 and Super 16 frame sizes while maintaining a high resolution.
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